I read this book with my 7 year old, who loves learning about our local Aboriginal culture. The book did a wonderful job of sharing the Gitxsan language and culture along with the story of a grizzly and her 2 cubs as they move through the seasons. The illustrations are beautiful, incorporating traditional artwork and peaceful colours. The interesting facts and vocabulary sprinkled throughout add dimension and interest to the book, as does the tracing of the seasons using traditional Gitxsan references to the phases of the moon. Of course I love that it is centered in our province and that my daughter and I were able to look at the map and talk about our local landscape and the many important natural features (rivers, the salmon, the forests). We also discussed some of the different First Nations in our province and talked about their languages and cultures (we live in the heart of syilx or Okanagan territory).
A must-have for elementary classrooms and libraries in British Columbia and the Pacific Northwest.
Recommended to me by my local children's bookstore owner and friend, The Scorpio Races might just be one of my top reads of this year.
Set on a fictional island seemingly located somewhere in the British Isles (sheep, perpetual drizzle, the ever-important pub...need I say more?), The Scorpio Races weaves its story around the mythical Capaill Uisce, or water horse. Based in both Celtic and Scandinavian mythology, the water horses in The Scorpio Races rise out of the sea every November to either be captured and ridden in the famed Scorpio Races or kill the men who try.
Young Sean Kendrick has won the Scorpio Races four times, riding a water horse named Corr. It is clear from the outset that Sean has a very uncommon bond with Corr, taming him in a way that most others cannot. He is also frequently called upon to rescue others from their foolish attempts to capture the wild creatures.
Puck Connolly and her brothers lost their parents to the water horses. Struggling to make ends meet, Puck decides to enter the Scorpio Races out of desperation. Little does she know how fateful this decision will be as not everyone on the island sees her participation favourably.
This book is a bit of a slow burn, building Puck and Sean's stories slowly and separately. The magic happens as the two stories begin to come together, twisting and twining around each other, as stories do on small, isolated islands. Maggie Stiefvater elegantly weaves the very realistic lives of the islanders with the mythological water horses, creating a story that you just can't put down.
Recommended for Gr. 7 +
,I was drawn to this book for a couple of reasons - first, the setting - my high school hometown, Toronto; second, I liked the idea of diving into the world of homeless teens. At first, the premise for how Harbour ends up in Toronto turned me off - what fourteen year old girl actually believes that her father would send her to camp out in a big city while he sails from Florida all the way to Toronto? As the book continues and Harbour begins to develop a relationship with a homeless teen named Lise, however, Kilbourne weaves a more and more believable explanation, slowly revealing bits and pieces of the whole story until you can see exactly how this could have come to be. This slow reveal is what really made this book for me; it kept me reading and it kept me guessing as to what the next little piece was going to be.
The look in to the lives of homeless teens is well done - revealing both the positives (the kind and caring shelter worker) and the negatives (predatory men, eating out of dumpsters, addiction, cold weather) with empathy and respect. The ending, while a little to coincidental for my taste, is not picture perfect and you are left with just enough questions to keep it from feeling like it was wrapped up with a tidy bow.
Safe Harbour is not a gritty look at the life of teens on the streets of Toronto as the flyleaf might lead you to believe; rather, it is an exploration of a young girl coming to terms with her family, friends and the harsh realities of life. Sure, the desperation of life camping out in a ravine in the middle of a big city, with no money and no lifelines underscores the story and provides the background for pivotal moments, but the true beauty of this book lies in the gradual unfolding of Harbour herself. As Harbour says at the very end of the book "I don't know everything about how I feel, or anything about how I should feel. I don't even know how I want to feel. But I know without a doubt that the ground is solid beneath my feet and it feels good."
Gr. 7 and up. Be aware of language and some content (drinking mouthwash, sexual predators - - implied). There is mention of a free downloadable teacher's guide but I was unable to find it on the Dundurn Press website (perhaps it will be available after the book is officially released Nov 2019).
I don't often read anthologies (or short stories for that matter). I prefer my books a little longer so I can really get in to the story. Right from the introduction though, Color Outside the Lines grabbed me and sucked me in -
"When people ask me what this anthology is about, I'm often tempted to give them the complicated answer: it's about race, about being different from the person you love - how it can matter and also not matter - and it's about Chinese pirate ghosts, and black girl vigilantes, and colonial India, and a flower festival, and a garden of poisons, and so, so much else. Honestly, though? I think the answer's much simpler than that. Color Outside the Lines is a collection of stories about young, fierce, brilliantly hopeful characters of all colors." (from the introduction by Sangu Mandanna).
I mean, how can you not want to read this book after that? What I loved the most was how different all of the stories were; it would have been easy to create an anthology of YA realistic fiction from the last couple of decades but that's exactly what this book isn't and why it's so wonderful. The stories run the gamut from realistic fiction to fantasy to historical fiction and they are so well curated that the transitions never seem jarring nor are they grouped in such a way that you feel the transition from genre to genre. The book flows smoothly from story to story, author to author.
Speaking of the stories - to go through each one individually would do the book a disservice. There is something here for everyone and that is part of the beauty of the book. I didn't love each and every story but there were some that left me breathless and wanting more. Some are blatant commentary on biracial relations and relationships and some are more subtle explorations of other types of differences. Some take place in the here and now, while others take place in the past or in a different world entirely. What links them together is the humanity of the characters - their strengths, their fears, their hopes, their love - and that's what kept me reading, story after story.
Appropriate for Gr. 6 and up. Some good choices to spark classroom discussions.
Saving Everest had a lot of potential - big, meaty subject matter (suicide, depression, gay teens), romance, the weight of expectation and more. There were parts of it, especially in the first half of the book, that I really enjoyed and that felt realistic; unfortunately, the second half of the book fell apart for me.
In the first half, the unexpected attempted suicide of the super-popular high school quarterback drives the storyline, underscoring the shallowness of some relationships (the protagonist's girlfriend and teammates who mock & vilify rather than supporting him), the harshness of others (his father) and the hidden potential in still others (Beverly, the "ghost girl" who takes it upon herself to rescue him). The difficulty Everest has recovering from depression is well-written and speaks to the realities of the ups and downs of mental illness. Beverly's attempts to befriend him, while awkward and perhaps a bit unlikely, are believable in their innocence and naivete. I enjoyed many of the interactions between the characters at this point in the story and felt like they fit the genre well. I particularly enjoyed the snippets from the uncle's journal and would have loved to see those established as an anchor for the chapters and the development of the main characters and their relationships.
As the story continues, however, consistency becomes an issue. Everest's father, who has loomed large in the background as an overbearing jerk set on controlling his son's future, simply disappears. Everest haphazardly attends his senior year of high school but no one seems to care; his budding career as a musician seems explanation enough for why school is no longer necessary. We know that Beverly's relationship with her mother is generally unhealthy, but opportunities are missed to explore this in any detail. It is often difficult to remember that these are teenagers in high school as they spend very little time actually at or concerned with school, especially for kids looking to go to college.
Basically the second half of the book tries to cram a teenage romance in beside every possible high school drama imaginable, the result being that none of them are explored with any depth or detail. You've got a caricature of every type - stoner, class president, pretty, popular mean girl, bookworm, football player, closeted gay football player, musician - and every scenario - homecoming, winter formal, birthday party, drinking in the basement, coffee shop, awkward Thanksgiving and on and on. By trying to include it all, Saving Everest merely floats on the surface of what could have been some pretty important and meaningful topics. For me, Saving Everest misses the mark; the early potential to explore the stressors of high expectations, family issues and depression gave way to a poorly developed teen romance that ended with a fizzle rather than a bang.
In a world torn apart by war, one young woman learns that the gods are as real as she is...and they hold all the power.
16 year old Cassia's world has been torn apart - her brother was hanged for treason and her parents were killed in a bomb attack, both part of a war that has destroyed her home country of Kisk. When she unwittingly becomes a sacrifice to gods she doesn't believe in, she learns far more about this war than she ever dreamed of.
Theodric, the God of War, is intent on proving himself to his siblings after being stripped of most of his powers by his older brother. Young, with a big chip on his shoulder, he approachs war in the human world with little compassion, manipulating it primarily to prove his own abilities. When he meets Cassia, however, chinks begin to show in his armor, revealing a more tender hearted soul than he would like to let on. The longer he spends with Cassia, the more he begins to question his role in the war and in his family's complex dynamic.
It took me a little while to get in to this book but once I did, I was hooked. The development of a fictitious mythology was solidly done and I kept having to remind myself that I wasn't, in fact, reading about Greek or Roman gods (the jeans and t-shirts that Theo wears helped me out there!). Theo and Cassia are both complex, believable characters and the supporting cast is just the right size to be well- developed as well (I particularly enjoyed Goran's wry older-brother attitude). Cassia is a strong female lead with suspicion and sass in spades and Theo's prove himself at all costs attitude is a good foil for what is to come as the novel progresses. Amber Duell has created a fascinating, complex world that mimics ancient mythology while remaining fresh and vibrant. With ample room to explore other storylines, I look forward to reading more about the gods and goddesses that rule over Kisk, Volkana and Asgya.
A great choice for YA fantasy and mythology lovers
This book is pure magic. From the unexpected and abrupt events of the prologue to the leave-you-wanting-more timing of the ending, The Storm Crow dips, dives and dances through a beautifully constructed fantasy world where not all is as it seems. Elements of war, love, mental health, friendship and loyalty are woven together with mythical crows to create an unexpected coming of age story that leaves you breathless. Anthia will grab you with her raw honesty and strength - her struggles with depression, loyalty, power and devotion lend her a realness that rings true every time.
There were several aspects of this book that I really loved. The story itself, which was relatively simple and timeless - girl is forced to marry boy from conquering kingdom, doesn't really want to so she tries to figure out a creative way out of it - feels fresh in this setting. The strong female characters feel natural in their roles as queens, warriors, leaders of rebel armies and spies; at no point are they relying on a man to save them or even advise them. Every single important role in this book is filled by a woman and yet it never feels contrived or out of place. Relationships and love interests are presented with similar ease and authenticity; some of the characters, both male and female, like girls and some like boys. Lines like "She'd been flirting with a girl at Rua's for weeks now." and "First, Shearen has a boyfriend. Second, he deserved it." blend easily, making who someone loves less important than the love itself. The only change I would have liked to see in this regard was a kingdom led by a same-gender couple, as all of the powerful people are heterosexual. Finally, the way that depression is introduced and treated feels so very real, both from Anthia's perspective and from the perspective of those who are trying to support her. It is not something you would typically see in a fantasy book but it is another piece of the puzzle that makes this fantasy shine.
Despite the title, the elemental crows play little more than a supporting role in this book. That being said, they are plot drivers (appearing at nearly every pivotal moment in the book) and important to understanding the interplay between the kingdoms and Rhodaire (Anthia's kingdom) in particular.
In the end this is a story about a princess finding her strength and power, with a little bit of love, intrigue and war thrown in for good measure. Who doesn't love that?