Recommended to me by my local children's bookstore owner and friend, The Scorpio Races might just be one of my top reads of this year.
Set on a fictional island seemingly located somewhere in the British Isles (sheep, perpetual drizzle, the ever-important pub...need I say more?), The Scorpio Races weaves its story around the mythical Capaill Uisce, or water horse. Based in both Celtic and Scandinavian mythology, the water horses in The Scorpio Races rise out of the sea every November to either be captured and ridden in the famed Scorpio Races or kill the men who try.
Young Sean Kendrick has won the Scorpio Races four times, riding a water horse named Corr. It is clear from the outset that Sean has a very uncommon bond with Corr, taming him in a way that most others cannot. He is also frequently called upon to rescue others from their foolish attempts to capture the wild creatures.
Puck Connolly and her brothers lost their parents to the water horses. Struggling to make ends meet, Puck decides to enter the Scorpio Races out of desperation. Little does she know how fateful this decision will be as not everyone on the island sees her participation favourably.
This book is a bit of a slow burn, building Puck and Sean's stories slowly and separately. The magic happens as the two stories begin to come together, twisting and twining around each other, as stories do on small, isolated islands. Maggie Stiefvater elegantly weaves the very realistic lives of the islanders with the mythological water horses, creating a story that you just can't put down.
Recommended for Gr. 7 +
I don't often read anthologies (or short stories for that matter). I prefer my books a little longer so I can really get in to the story. Right from the introduction though, Color Outside the Lines grabbed me and sucked me in -
"When people ask me what this anthology is about, I'm often tempted to give them the complicated answer: it's about race, about being different from the person you love - how it can matter and also not matter - and it's about Chinese pirate ghosts, and black girl vigilantes, and colonial India, and a flower festival, and a garden of poisons, and so, so much else. Honestly, though? I think the answer's much simpler than that. Color Outside the Lines is a collection of stories about young, fierce, brilliantly hopeful characters of all colors." (from the introduction by Sangu Mandanna).
I mean, how can you not want to read this book after that? What I loved the most was how different all of the stories were; it would have been easy to create an anthology of YA realistic fiction from the last couple of decades but that's exactly what this book isn't and why it's so wonderful. The stories run the gamut from realistic fiction to fantasy to historical fiction and they are so well curated that the transitions never seem jarring nor are they grouped in such a way that you feel the transition from genre to genre. The book flows smoothly from story to story, author to author.
Speaking of the stories - to go through each one individually would do the book a disservice. There is something here for everyone and that is part of the beauty of the book. I didn't love each and every story but there were some that left me breathless and wanting more. Some are blatant commentary on biracial relations and relationships and some are more subtle explorations of other types of differences. Some take place in the here and now, while others take place in the past or in a different world entirely. What links them together is the humanity of the characters - their strengths, their fears, their hopes, their love - and that's what kept me reading, story after story.
Appropriate for Gr. 6 and up. Some good choices to spark classroom discussions.
Saving Everest had a lot of potential - big, meaty subject matter (suicide, depression, gay teens), romance, the weight of expectation and more. There were parts of it, especially in the first half of the book, that I really enjoyed and that felt realistic; unfortunately, the second half of the book fell apart for me.
In the first half, the unexpected attempted suicide of the super-popular high school quarterback drives the storyline, underscoring the shallowness of some relationships (the protagonist's girlfriend and teammates who mock & vilify rather than supporting him), the harshness of others (his father) and the hidden potential in still others (Beverly, the "ghost girl" who takes it upon herself to rescue him). The difficulty Everest has recovering from depression is well-written and speaks to the realities of the ups and downs of mental illness. Beverly's attempts to befriend him, while awkward and perhaps a bit unlikely, are believable in their innocence and naivete. I enjoyed many of the interactions between the characters at this point in the story and felt like they fit the genre well. I particularly enjoyed the snippets from the uncle's journal and would have loved to see those established as an anchor for the chapters and the development of the main characters and their relationships.
As the story continues, however, consistency becomes an issue. Everest's father, who has loomed large in the background as an overbearing jerk set on controlling his son's future, simply disappears. Everest haphazardly attends his senior year of high school but no one seems to care; his budding career as a musician seems explanation enough for why school is no longer necessary. We know that Beverly's relationship with her mother is generally unhealthy, but opportunities are missed to explore this in any detail. It is often difficult to remember that these are teenagers in high school as they spend very little time actually at or concerned with school, especially for kids looking to go to college.
Basically the second half of the book tries to cram a teenage romance in beside every possible high school drama imaginable, the result being that none of them are explored with any depth or detail. You've got a caricature of every type - stoner, class president, pretty, popular mean girl, bookworm, football player, closeted gay football player, musician - and every scenario - homecoming, winter formal, birthday party, drinking in the basement, coffee shop, awkward Thanksgiving and on and on. By trying to include it all, Saving Everest merely floats on the surface of what could have been some pretty important and meaningful topics. For me, Saving Everest misses the mark; the early potential to explore the stressors of high expectations, family issues and depression gave way to a poorly developed teen romance that ended with a fizzle rather than a bang.
In a world torn apart by war, one young woman learns that the gods are as real as she is...and they hold all the power.
16 year old Cassia's world has been torn apart - her brother was hanged for treason and her parents were killed in a bomb attack, both part of a war that has destroyed her home country of Kisk. When she unwittingly becomes a sacrifice to gods she doesn't believe in, she learns far more about this war than she ever dreamed of.
Theodric, the God of War, is intent on proving himself to his siblings after being stripped of most of his powers by his older brother. Young, with a big chip on his shoulder, he approachs war in the human world with little compassion, manipulating it primarily to prove his own abilities. When he meets Cassia, however, chinks begin to show in his armor, revealing a more tender hearted soul than he would like to let on. The longer he spends with Cassia, the more he begins to question his role in the war and in his family's complex dynamic.
It took me a little while to get in to this book but once I did, I was hooked. The development of a fictitious mythology was solidly done and I kept having to remind myself that I wasn't, in fact, reading about Greek or Roman gods (the jeans and t-shirts that Theo wears helped me out there!). Theo and Cassia are both complex, believable characters and the supporting cast is just the right size to be well- developed as well (I particularly enjoyed Goran's wry older-brother attitude). Cassia is a strong female lead with suspicion and sass in spades and Theo's prove himself at all costs attitude is a good foil for what is to come as the novel progresses. Amber Duell has created a fascinating, complex world that mimics ancient mythology while remaining fresh and vibrant. With ample room to explore other storylines, I look forward to reading more about the gods and goddesses that rule over Kisk, Volkana and Asgya.
A great choice for YA fantasy and mythology lovers